Nestled along the banks of the Han River, the Da Nang Museum of Cham Sculpture is often likened to a treasure vault preserving the golden memories of the ancient Kingdom of Champa. The museum houses the largest collection of Cham sculpture in the world, reflecting the brilliant developmental journey of a civilization that once flourished across central Vietnam. Each artifact represents a fragment of history, guiding visitors into a profound world of ancient art and spiritual belief.
Located at the intersection of 2 Thang 9 Street and Trung Nu Vuong Street, opposite the Dragon Bridge and overlooking the poetic Han River, the Da Nang Museum of Cham Sculpture appears as a tranquil oasis amid the city’s vibrant urban rhythm. Stepping through its historic yellow gate, visitors immediately sense a clear transition of space. Outside are traffic noise and city lights; inside is serenity, depth, and the faint fragrance of frangipani blossoms.
Construction of the museum began in 1915, making it the only museum in the world dedicated exclusively to the sculptural art of the ancient Champa Kingdom. Nearly 2,000 sandstone and bronze artifacts preserved here vividly reflect the spiritual life, culture, and artistic expression of the Cham people from the 7th to the 15th century. Exhibition halls are arranged according to excavation sites such as My Son, Tra Kieu, Dong Duong, and Thap Mam, leading visitors through an exploratory journey of a civilization that once thrived along Vietnam’s central coast.

| Formation period | |
| 1902 | The first Cham artifacts were collected by French archaeologists from the École Française d’Extrême-Orient and gathered along the banks of the Han River, laying the foundation for the idea of a dedicated exhibition space. |
| 1915 – 1916 | The museum was officially commissioned under the proposal of Henri Parmentier, Head of the Archaeology Department of the École Française d’Extrême-Orient, with the aim of preserving and studying Champa antiquities. |
| 1919 | The museum opened to the public under the name Musée Cham, becoming the most important center for research and exhibition of Cham sculpture in Indochina at the time. |
| Expansion and development period | |
| Late 19th century | Before the official building existed, French archaeologists such as Charles Lemire gathered artifacts at Tourane Park, an early open-air exhibition area along the Han River. |
| 1915 – 1919 | Architects Delaval and Auclair designed the building in a fusion of European Gothic style and Cham temple architecture, shaping the museum’s enduring architectural identity. |
| 1930 – 1936 | The museum was expanded with two additional wings, forming a U-shaped layout. From this period onward, artifacts were classified and displayed by excavation site, a structure that remains in use today. |
| 1945 – 1975 | War caused significant damage to the museum, resulting in the loss of many artifacts and documents. Subsequently, around 150 artifacts were recovered and continued to be preserved and studied. |
| 2002 – Present | The museum underwent major investment, expansion, and modernization. In 2016, a comprehensive restoration was carried out while preserving the original architectural style. In 2021, the museum was officially recognized as a City-Level Historical Monument. |
The Da Nang Museum of Cham Sculpture is an architectural masterpiece where Eastern spirit harmoniously blends with Western aesthetic thought. The vision of Henri Parmentier, combined with the design expertise of Delaval and Auclair, created a space that is both scientifically structured and emotionally evocative.
From its inception in 1915, the museum has been closely associated with the École Française d’Extrême-Orient and archaeologist Henri Parmentier. French Gothic architecture is clearly reflected in the vaulted roofs, corridors, and restrained column rhythms, seamlessly combined with Cham temple motifs to create an atmosphere of solemnity and timelessness.
The exhibition halls are designed with large windows and open corridors, allowing natural light to filter through and highlight every carved detail on the sandstone sculptures. Ancient frangipani trees within the museum grounds release a gentle fragrance, offering a rare sense of tranquility and inner peace amid the modern city.
The museum’s exhibition system is organized by excavation sites, allowing visitors to easily follow the historical flow and artistic development of Champa civilization across different periods.

The My Son Gallery carries a solemn and sacred atmosphere, evoking the sensation of stepping into an ancient sanctuary nestled within a holy valley. Soft natural light gently illuminates the dark sandstone blocks, highlighting the antiquity and formal elegance of the My Son artistic style.
At the heart of the gallery stands the My Son E1 altar, a masterpiece often described as a stone chronicle, where bas-reliefs narrate the ascetic life and divine world of the ancient Cham people. Carvings of hermits dwelling in mountain caves and depictions of Shiva performing the Tandava dance convey both majesty and vitality, as if the breath of Hindu belief still resonates within the space.
Entering the Tra Kieu Gallery, the atmosphere becomes brighter and more fluid, reflecting the period when Cham art reached its aesthetic zenith. The space feels light and graceful, where each sculptural line appears to move silently through stone.
The Tra Kieu altar, a national treasure of the museum, immediately draws attention with its four-sided base carved with scenes depicting the wedding of Rama and Sita from the Ramayana epic. Apsara dancers and Gandharva musicians appear with supple postures, refined facial expressions, and intricate jewelry, forming an emotional and delicate symphony rendered in stone.
The Dong Duong Gallery offers a sense of stillness and solemnity from the moment visitors step inside. Carefully moderated lighting accentuates sculptures with bold, solid forms characteristic of Cham Buddhist art.
Square faces, full lips, and intersecting eyebrows create an imposing presence, giving viewers the feeling of confronting deep inner strength. Dominating the space is the statue of Bodhisattva Tara, a national treasure and the largest solid bronze sculpture of Cham art. Its profound gaze and serene expression evoke a sense of peace, serving as a spiritual pause amid the journey through history.
The Thap Mam Gallery opens into an entirely different world, where Cham art enters a monumental and powerful phase. The broader space and large-scale works create an overwhelming impression at first glance. Mythical creatures such as Garuda, lions, and lion-elephants emerge with powerful forms, taut muscles, and meticulously carved details down to each claw.
The atmosphere conveys a spirit of protection and authority, reflecting the aspiration of Champa dynasties during the Vijaya period to assert their power. This is the space where visitors can clearly sense the transformation of Cham art from sacred spirituality to symbolic expressions of political strength.
Within the contemplative atmosphere of the Da Nang Museum of Cham Sculpture, three national treasures stand out as profound focal points, where the artistic excellence and spiritual depth of Champa culture are fully crystallized:
The Da Nang Museum of Cham Sculpture features numerous spaces imbued with a slow, poetic beauty, ideal for capturing nostalgic and atmospheric photographs:

For first-time visitors to the Da Nang Museum of Cham Sculpture, choosing a suitable interpretation option can make the experience more complete and accessible. The museum currently offers various interpretation formats to meet the needs of different visitor groups, from solo travelers and families with children to international guests. Preparing some basic information in advance and keeping a few practical tips in mind will help you manage your time effectively, gain deeper insight into Cham art, and preserve the museum’s quiet and respectful atmosphere.
Available interpretation options at the museum:
Details of the audio guide service:
Important notes before, during, and after your visit:
After leaving the contemplative atmosphere of the Da Nang Museum of Cham Sculpture, images of ancient artifacts, bas-reliefs, and mythical creatures linger in the mind. This is the moment when the journey calls for a pause—to reflect and unwind. Pullman Danang Beach Resort offers a serene seaside retreat along Bac My An Beach, where the body relaxes and the mind gradually finds balance.
A revitalizing foot massage at The Nắng Spa helps relieve fatigue after hours of exploration. As evening falls, Infinity Bar reveals a gentle seascape, perfect for enjoying a cocktail while reflecting on the historical values just discovered. Thanks to its convenient location, the journey from Pullman Danang Beach Resort to the museum takes only 10 to 15 minutes, making the experience seamless and unhurried.
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101 Vo Nguyen Giap Street, Ngu Hanh Son Ward , 550000 Danang
Vietnam
Tel: +84 236 395 8888
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